Barcelona · October 30 · 18:00–22:00

StudioLightingMasterclass

With Tomas Brazzi

One model. One studio. Completely different results.

Reserve your place

[ALT: A figure in black stands on a plinth, arms raised, in front of a wall of glowing octabox softboxes]

[ALT: Model in a white suit and red heels arching backwards, one arm raised, on a grey studio backdrop]

Imagine walking into a studio and knowing what to do.

You look at the person in front of you.

You look at the space.

And instead of asking:

“What lighting setup should I use?”

You start asking:

“What do I want to create?”

Soft. Dramatic. Bold. Clean. Cinematic.

When you understand light, you have choices.

The WOW Shot

One model.
Many possibilities.

During this 4-hour practical masterclass, we will take one model and create completely different images through light.

We’ll build lighting setups from scratch, inspired by The WOW Shot.

You’ll see what changes.

You’ll understand why.

And then you’ll try it yourself.

[ALT: Full studio view — model holding red flowers against a blue backdrop, lit by a large broncolor softbox on a boom] — The image and the light that made it

See it.
Understand it.
Try it.
Create.

See it

Watch each lighting setup being built from zero.

Understand it

See what happens when we change the direction, distance, softness or intensity of light.

Try it

Move the lights. Work with the equipment. See how small changes transform the image.

Create

Work with the model, pose, communicate and shoot your own photographs.

Six ways to light

Different light.
Different feeling.

[ALT: Soft directional portrait of a woman with a mother-of-pearl earring and white ruffled collar]

01 / 06

Soft & beautiful

Create flattering light while keeping shape and dimension.

02 / 06

Hard & bold

Control shadows and turn hard light into a creative tool.

[ALT: Hard-light portrait — tattooed woman, eyes in deep shadow, hand under chin, pale blue background] — The result

[ALT: Behind the scenes — the same model seated between stands, softbox and flags in blue light] — How it was made

03 / 06

Dark & dramatic

Use contrast to completely change the mood.

[ALT: Model in a flowing dark dress and pink gloves turning mid-motion in a pool of light on a dark set]

[ALT: Darkened studio — model in a black coat lit by two broncolor strip boxes and an overhead softbox on a boom] — In the studio

04 / 06

Multiple lights

Build more advanced setups without making lighting unnecessarily complicated.

[ALT: Clean high-key portrait of a woman with curly hair in a grey cropped blazer and black bodysuit]

05 / 06

Clean & professional

Create lighting you can adapt for real professional assignments.

[ALT: Dancer in a sheer black top posing with hands on chest against a deep blue background]

06 / 06

Creative

Stop using light only to illuminate. Start using it to express an idea.

[ALT: Behind the scenes — a beauty dish on a boom placed right in front of a model in a pink suit] — Playing with the light

Don’t memorize the setup.

Your next photoshoot will be different.

Different person.

Different face.

Different client.

Different brief.

So I don’t want you to remember exactly where I put my lights.

I want you to understand why I put them there.

So when you’re alone in a studio, you can make those decisions yourself.

— Tomas Brazzi

Learn by doing.

This isn’t four hours of watching someone else photograph.

[ALT: Participant kneeling with her camera, photographing a model in a blue coat on a yellow backdrop under studio lights]

01You’ll work with the lights.
02See how modifiers change them.
03You’ll move them.
04Work with the model.
05You’ll pose.
06You’ll shoot.
07You’ll experiment.
08And you’ll get feedback.

[ALT: Participant shooting a model on a pink backdrop while images appear live on the tethered monitor]

[ALT: Participants crouched on the studio floor photographing a model under a broncolor strip softbox]

Bring your camera.

Reserve your place

What does this give you?

More than another lighting setup.
It gives you options.

The confidence to approach different assignments.
The ability to solve problems when something isn’t working.
More freedom to create different moods.
More possibilities to develop your own visual style.
And less dependence on perfect conditions.

Technical confidence becomes creative freedom.

[ALT: Woman in a dramatic red draped coat striding across a blue backdrop]

[ALT: Blonde model in black velvet and pearls in a dynamic floor pose, one leg raised]

[ALT: Woman in oversized black glasses and red lipstick seated against a red wall]

[ALT: Model in a sequinned mini dress with her shadow cast on a white wall]

[ALT: Woman with curly hair in a brown dress seated on a wooden box, warm brown backdrop]

[ALT: Woman with curly red hair in a denim jumpsuit, finger at her temple, grey backdrop]

[ALT: Classic beauty portrait — blonde bob, coral top, sculptural gold earrings]

Final images · Brazzi Studios

From passion
to profession.

Lighting is one part of a much bigger journey. During the evening, we’ll also explore the Professional Photographer’s Path used inside Brazzi Academy.

01Passion
02Skills
03Specialization
04Style
05Business
06Professional photographer

Where are you today?

And what could your next step be?

Your instructor

Tomas Brazzi

24Years in photography

14Years teaching photographers

1,000+Photographers taught

Broncolor Ambassador
Founder of Brazzi Studios & Brazzi Academy
International photography educator

My approach to lighting is simple:Understand the fundamentals deeply enough that technique gives you freedom instead of limiting you.

Grow together.

Photography can be an individual journey. But you don’t have to grow alone.

Spend the evening creating alongside other photographers, exchanging experiences, asking questions and meeting people who are moving forward on their own photography journey. And become connected with the international Brazzi Academy community.

[ALT: A group of photographers gathered around Tomas at the tethered monitor, reviewing images during a workshop]

[ALT: Tomas laughing with a model in a silver dress, camera in hand]

What could you create if light wasn’t your limitation?

Don’t come just to watch me create.
Come to create yourself.

See the light.

Understand it.

Move it.

Work with it.

Photograph it.

And leave with more confidence in what you can create next.